Joolz has brought excitement back to English poetry with her clear, unflinching, yet sympathetic view of the lives around her.
Four-square in the tradition of Wordsworth and Coleridge in using everyday language, in this her fourth collection, Joolz describes her work as 'character driven, dramatic and often tragic – 2000
"I was left wondering why the literary columns of the broadsheets spend so much time reviewing constipated relentlessly clever exercises in post-modernism by the latest bête noire of the chattering classes when work as vital, as beautiful, as wild and truthful as this is being done" – Stride Magazine
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